Matthew James Thomas

A gallery of screen captures from TV shows and films with British actor Matthew James Thomas. They didn’t really fit in the Pippin post that came before. Comments are appreciated! Continue reading

Life Lessons from Pippin

How to separate the drama nerds from the fantasy geeks: mention Pippin. A drama nerd will start singing Corner of the Sky.

Pippin is a Tony Award-winning musical by Stephen Schwartz, who also wrote Godspell. It’s about a young prince’s search for something meaningful to do with his life. Pippin was the son of Charlemagne, but the musical is not a faithful historical narrative. Bob Fosse directed and choreographed the original 1972 Broadway production, which starred John Rubinstein (Pippin) and Ben Vereen (Leading Player). Pippin’s grandmother Berthe was played by Irene Ryan, best known as Granny on The Beverly Hillbillies. I grew up believing the story that she died onstage during a performance of her song No Time At All. Not true, but it still makes a good “what a way to go!” story.

As a teen in the late 1970s, I was a little bit obsessed with Pippin. I knew the music and lyrics from the cast album long before I saw it onstage. A friend took me to a student production at UC Irvine in 1982, with the musical re-imagined as a futuristic space opera with loads of silver lamé. Then, in 1985, I worked with John Rubinstein at the La Jolla Playhouse (described here) which got me listening to the Pippin original cast album all over again. William Katt and Ben Vereen appeared in a filmed stage version in the early 80s, which I saw on videotape many years later.

Fast forward to 2013, and Pippin is back on Broadway. I watched the Tony Awards that year, so I was aware of the production and saw the musical number performed during the ceremony. I was also vaguely aware when the touring version came to San Francisco in fall 2014, but my budget was tight and my mind was on other things. Mostly I was busy pouting because I had to stay home while friends were at a festival in Utah.

Last summer, I finally listened to the Pippin Broadway revival cast album. My first impression was that Matthew James Thomas has a pretty voice, but it’s very different from John Rubinstein’s. I went to YouTube to see if there were any Pippin videos. And here we go, down the rabbit hole again!

I’ve now watched everything I can find with Matthew James Thomas, going back to The Bill in 1999. I was sad that he deleted his twitter account before I had the chance to follow him. I purchased his UK series Britannia High on DVD, watching it once through before my region-free DVD player packed up and died (boo). Then I actually cried when I found out that the San Francisco Pippin tour brought both Matthew James Thomas AND John Rubinstein to my doorstep, and I missed them. Thomas had given his last performance on Broadway, but he came back and filled in for the touring Pippin when that actor was put on vocal rest. John Rubinstein toured with the show as Charlemagne. Even if the tickets were beyond my budget, I could have gone to the stage door to meet the cast and see Rubinstein again. Heartbreak!

The biggest lesson learned from Pippin? Pay attention to what’s happening around me. Instead of wishing that I was somewhere else, make the most of what’s right here. San Francisco isn’t perfect, and it’s way too expensive, but fortunately a lot of events are free or cheap.

Happily, Matthew James Thomas is now back on twitter. He was cast in a pilot called Shelter for NBC, but it wasn’t ordered to series. I wish him the best, look forward to seeing him onscreen again, and hope he comes back to San Francisco. (John Rubinstein, too!)

If I could have one MJT wish granted, since I can’t travel back in time to 2014, it would be to hear his Fenwick solo from the musical Diner.

Matthew James Thomas (Fenwick) in Diner. Photo by Matt Urban, Mobius New Media

Photo sources:

San Francisco Pippin tour: Review: A masterful ‘Pippin’ showcases Paulus’ bold vision

http://www.delawaretheatre.org/diner (Fenwick photo)

Screen captures made from YouTube videos, particularly from the official Broadway Pippin channel: https://www.youtube.com/user/pippinmusical/videos

Stage Door (8): Charles Dance, Conleth Hill, & Game of Thrones

Another in series of stage door encounters with interesting actors.

I just finished binge-watching all six seasons of Game of Thrones. A couple of years ago I tried to watch it, but I only got through two episodes before deciding it was too brutal. I’m tougher now. With so many actors I like, and all that gorgeous Ireland scenery, I wish I’d joined the party sooner.

Over the years I couldn’t avoid plot spoilers, but there were still plenty of shocks and surprises. At this point, there’s not much I can say about Game of Thrones that hasn’t been said already. I love the characters I’m supposed to love (Arya, Tyrion, Brienne, Davos, etc), hate the ones everybody hates (Joffrey, Ramsey), wonder why baby Sam grows slower than any other child in Westeros, and wish I’d counted how many times Casterly Rock is mentioned.

Years ago, I saw two of the Game of Thrones cast members perform in plays in London, and I met them at the stage door with my camera.

In early 2001, I saw Charles Dance (Tywin Lannister in GofT) in Long Day’s Journey Into Night. The other cast members were Paul Rudd, Paul Nicholls, and Jessica Lange. My seat was right up close to the stage, which normally is too close but was just right for this one. Lange didn’t come out to meet anybody afterward, but the three men did. This was before gathering at the stage door after a show was popular in the West End, so there were only a few of us waiting. This was also before digital cameras, so I didn’t realize that my photo of Rudd caught him with his eyes shut.  He was very friendly, and Charles Dance was very gracious.

 

Soon after, I went with two friends to see Stones in His Pockets with Conleth Hill (Varys in GofT) and Sean Campion. We laughed so hard, our ribs ached by the end. It was fantastic, with just the two men playing multiple roles, including women. We were the only ones waiting afterward. While we were waiting, Stefanie Powers came out the stage door. She must have been in the audience. I recognized her immediately, but I didn’t want to bother her. Hill and Campion came out together, and they were friendly and fun. I don’t usually pose for photos (I prefer taking them), but my friends grabbed the camera and I got sandwiched between two fantastic actors. Lucky me!

With Conleth Hill & Sean Campion

Back to Queen Street, Dublin

A few years ago, I shared photos from three trips to Dublin. Tanya, Chloe, Warren, Sherree, Danielle, Jamie, and many of their friends first hammed it up for my camera in 1997. It took a while, but eventually some of them found my post here, and they left comments asking to see more of their photos. My negatives and scanner are in storage, but today I found a few scans in an online album. Here they are, with the promise of more to come. Thanks for your patience!

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I made the collage below years ago for my first blog, back when I didn’t know much about Photoshop. It’s not good—too much contrast—but some of these negatives have been lost.

Queen Street collage

Adventures in Babysitting 30th Anniversary Screening

My friend Marco and I attended a 30th anniversary screening of Adventures in Babysitting (1987) at the Castro Theatre yesterday. Keith Coogan (Brad) was the special guest, and he did a Q&A after the film. He and his wife Pinky had a table set up in the lobby where they met fans, posed for photos, and sold some merchandise.

Marco and I arrived at the Castro early, so we had some pizza slices and then wandered around the neighborhood. One of the art galleries had a portrait of Gilbert Baker in their window. He designed the Gay Pride rainbow flag, and he sadly passed away earlier this week. We bumped into Keith Coogan and Pinky outside a taqueria, so we introduced ourselves and chatted for a few minutes. They recognized my twitter name and were good-humored and friendly.

Once we got in the cinema, I enjoyed watching Coogan and his wife interact with fans before the film. Marco got popcorn and relaxed in our seats. There weren’t a lot of us at the screening, but the line at the Coogans’ table was steady and everybody was having a good time. There was a good spread of ages, too, although I didn’t see any kids.

During the Q&A, Coogan talked about the audition and rehearsal process, his lasting friendship with Anthony Rapp, filming in Toronto, the film’s journey from script to screen, cast parties, real life crushes, the AIB remake, and his current projects. He told us an early version of the AIB script had Sarah swap her toy chest for one carrying plutonium, which evolved into the backpack with the Playboy magazine.

Anthony Rapp tweeted earlier this week about the screening:

I got to meet Rapp in 2006 when he was on tour for his memoir Without You, at both The Booksmith and at his Swedish-American Hall performance.

Adventures in Babysitting holds up well after 30 years. This was my first time seeing it in the cinema. Marco and I reminisced on the drive home about what we were doing in 1987, trying to remember the movies we saw on the big screen that year. It was a good year for films, and in these uncertain times, it’s a good year to escape back into, for a few hours on a Saturday afternoon.

Thank you, SF Sketchfest, the Castro Theatre, and Keith Coogan! You’re lovely, Pinky!

When We Rise: The San Francisco Premiere

As a volunteer with GLAAD, I received an invitation to attend the February 20th premiere of When We Rise, Dustin Lance Black’s new ABC miniseries chronicling the LGBTQ rights movement, focusing on the lives of several San Francisco activists. I invited a friend as my plus one and submitted my RSVP, although I wasn’t sure about an 8 hour marathon or the “first come first served” seating. Then my friend got sick, and the day arrived with heavy rain and 60 mph winds expected by the evening. Still, I braved the elements alone and headed to the Castro Theatre.

When I arrived in the Castro at 1pm, the doors to the cinema had just opened. At first I got into the wrong line, where the production folks were checking in. One of the young actors turned around and was very helpful pointing out the right line. I wasn’t sure any of the cast would be there, so this was a happy omen. My line went down the block and just around the corner of 18th Street. After I got there, many more folks arrived behind me. A friendly young woman with an ABC7 cap came by to explain what to expect. She assured us we’d all get in at that point in the line. We’d be checked in and given wristbands, which would allow us to come and go during the breaks. Everyone attending would also get a ticket for a free drink and a bag of popcorn.

I chatted with the guys around me, and there was some confusion about how much of the miniseries would be shown. Dustin Lance Black tweeted that we’d watch the whole 8 hours, but the numbering of the episodes is confusing. IMDb says there are 8 episodes, Wikipedia says 7 parts, but it’s being shown on 4 nights. Anyway, the ABC7 woman assured us we’d be seeing the entire miniseries, in four segments, with two 15 minute breaks and one 2 hour dinner break. The program would start at 2pm and end around 11:30pm.

There were still plenty of seats on the ground floor when I got in, but I headed to the balcony for a front row seat above. You don’t get a crick in your neck looking up at the screen there. Since we’d be spending a lot of time together, I introduced myself to several of the folks in my section. The young guy behind me worked as an extra in several scenes, so it was fun to hear to his stories.

Dustin Lance Black went up onstage with a microphone to introduce the first segment, saying that many of the activists depicted in the series were in the audience. He also pointed out that without the commercials, each segment was shorter than two hours. Zeke Stokes of GLAAD also spoke, and later in the day Roma Guy, Cecilia Chung, and Cleve Jones got up onstage to address the audience. We also had a song performed by the San Francisco Gay Men’s Chorus.

During the screening, the audience cheered a lot—when familiar names were said, when well-known landmarks were shown, and when serious truths were spoken. The SF Chronicle says we booed the villains, but I only heard hissing.

Because When We Rise doesn’t air on ABC until next week (February 27th, then March 1st-3rd), I can’t share much about it yet. I never give plot spoilers anyway. I will say that the lesser-known young actors are terrific. These include Jonathan Majors, Adam DiMarco, Rafael De La Fuente, Fiona Dourif, Nick Eversman, Kevin McHale (familiar from Glee) and so many more. Austin P. McKenzie as the younger Cleve Jones had my heart from his first moments onscreen. I also really connected emotionally with Emily Skeggs as the younger Roma Guy. This kind of connection is crucial if the viewer is going to stick with these characters through a miniseries. I can’t count the number of shows I’ve seen where I appreciated the quality but didn’t care enough about any one character to keep watching.

During our first break, I met Emily Skeggs. It’s great to watch someone onscreen for the first time (whether it’s their first time or just yours), and then be able to tell them right away how much their performance has touched you. This is one of the reasons Twitter is so addictive, but doing it in person is so much more satisfying. I’m certain that many more viewers like me will be looking up these young actors and following them on social media. I was already doing that at the dinner break.

A tip for those folks looking at the cast lists online—at this point, the IMDb page is incomplete. Kevin McHale and Rafael de la Fuente, for example, are not yet listed. Wikipedia includes them and several other actors not listed on IMDb, but it’s not complete either.

At the end of the screening, all the folks involved with the production went up onstage. I left the balcony and came down to the front in time to video a bit of the song Oh Happy Day, and then it was done. I said hello to Dustin Lance Black and Tom Daley, then met Austin P. McKenzie and Kevin McHale (such a charmer, that one!).

I came out of the theatre to find that the rain had stopped, but the wind was blowing hard. I rode the bus home with a couple of fellow viewers, and we talked about our impressions of the miniseries. I got home tired but still wired from the experience.

I’m looking forward to watching When We Rise again next week. It will be interesting to compare the difference seeing it on a small screen, without an audience, and with the ad breaks.

This miniseries will hopefully inspire viewers to read more about the activists and the history of this struggle for equality, understanding, and respect. There’s so much more to learn. The book When We Rise: My Life in the Movement by Cleve Jones is a good place to start.

Thank you to Dustin Lance Black and everyone involved for making this miniseries. Thank you to GLAAD and ABC for the privilege of attending this amazing event.

http://www.sfchronicle.com/tv/article/LGBT-community-sees-its-story-told-in-When-We-10948675.php

https://ripplenews.com/watch/san-francisco/when-we-rise-shows-emotional-powerful-san-francisco-lgbt-movement-1s7r0o5h (This is a video of the premiere from local ABC7 news.)

http://www.sfchronicle.com/tv/article/When-We-Rise-a-story-of-past-struggle-and-a-10954771.php

Tom Daley’s video of the premiere:

San Francisco Women’s March

I just got home from the Women’s March in San Francisco. What an amazing experience! It was so hard waiting for our march when most of the others across the US happened in the morning. Ours started at 3pm with a rally at Civic Center, with the march down Market Street to the Embarcadero starting at 5pm. It didn’t quite happen that way—I ended up behind the stage, where we couldn’t see or hear, so a lot of us started down Market Street somewhat early. It rained most of the time, but nobody seemed to mind.

I didn’t see any violence or misbehavior. The mood was friendly and sometimes boisterous. I enjoyed seeing the men, children and dogs who joined in.

A big thank you to Summer, Emily and Alex, who ‘adopted’ me for the march. You’re awesome!

 

 

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