Okay, so I cheated this month. The first five tweets are from me, the rest were collected by my good friend, Katelyn. I’m still taking a twitter break while working on a big project for a reunion this summer. So, in no particular order, here are our favorite April tweets. As usual, the Swear Trek tweets give this a PG rating.
Category Archives: The Internet
February was a hard month. The Parkland school shooting and the unrelenting bizarre news from the White House made my twitter feed more serious than usual. I’m now following some of the Marjory Stoneman Douglas student activists, as well as the US Olympic figure skaters and a few more authors. I’m still relying on Swear Trek for laughs, which gives this post a PG rating. These begin after the “continue reading” link.
Note: several of these are screen captures instead of links to the tweets, to make them easier to read.
When I was doing my Year End Wrap Up 2017, I had a lot of trouble going back to find my favorite tweets of the year. I’ve decided to do this monthly instead. It’s unfortunate that here the text is displayed at the bottom of pictures/videos/GIFs, and I can’t put helpful spaces in between each tweet. Look for the faint blue lines around the tweets if you’re not sure what goes together.
Normally I approach my Year End Wrap Up with enthusiasm, but 2017 has been a very tough year. Most mornings I wake up with a sense of dread, almost afraid to open up the laptop to see what real-world horrors will dominate my morning news feed. The Stuff That Entertains Me is now more likely to be The Stuff That Keeps Me From Total Despair. Until recently, I used to ignore the news as much as possible; now I probably give it too much of my attention. I’m grateful that I can still turn to books, movies, TV and music to raise my spirits.
I began 2017 watching foreign soaps and making Chad Lowe collages. The year has ended with more reading, less television, and a bunch of new actors on my watch list. I started blogging again, although not as regularly as I’d hoped. There have been plenty of entertainment surprises along the way.
The year started out slow, but then I finally got reading glasses! The two best non-fiction books I read this year were The Lost City of The Monkey God by Douglas Preston and Caesar’s Last Breath by Sam Kean. My summer LGBT reading project was fun, and the books from that post that have stayed with me the longest are Symptoms of Being Human by Jeff Garvin and Spy Stuff by Matthew J. Metzger. The best guilty pleasures this year were the Midnight Texas trilogy by Charlaine Harris and The Bookshop on the Corner by Jenny Colgan. My ambitious Dorothy Dunnett project— reading all 14 Lymond Chronicle/House of Niccolo books—has been a great escape for the last three months. I’m finally in the homestretch! (Whew.)
I had a good year for seeing movies in the cinema. I saw more than usual and there weren’t any duds. Some of them may have been less spectacular than I hoped, but nothing was truly disappointing. The loudest was Dunkirk in 70mm IMAX; I enjoyed the performances from the young cast but the scale of the evacuation seemed anemic. Their Finest was a lovely film and a good companion to Dunkirk. In the superhero category, I enjoyed Wonder Woman, Spider-Man: Homecoming, and Thor: Ragnarok pretty much equally. Guardians of the Galaxy 2 was less memorable, but I enjoyed Baby Groot and the music. I went into Baby Driver thinking, I don’t really care about car chases; I came out thinking, more car chases, please! Beauty and The Beast and The Greatest Showman were visually rich and very entertaining. Older movies included Summer Magic at the Walt Disney Family Museum and Adventures in Babysitting at the Castro Theatre. The cast of Three Billboards Outside Ebbing, Missouri was fantastic, but I had some issues with the movie itself. I’m glad I saw Star Wars: The Last Jedi before spoilers, and I love Rose, but her name bothers me. (It’s very…earthy?) Call Me By Your Name was gorgeous, and I’m now a big fan of Timothée Chalamet. I want him to be nominated for all the big awards, but I worry that winning too soon won’t be good for his career.
This year, I was more likely to watch TV shows on DVD sets from the library. Except for Saturday Night Live, I’ve only watched one hour of network television since September. I haven’t been able to stomach the NBC Chicago Fire/PD/Med shows since they did the Ghost Ship Fire episodes without warning Bay Area folks before the broadcast. I’m still waiting for Code Black to return (what’s up with that, CBS??).
2017 was the year I finally joined the Game of Thrones craze, binge-watching the first six seasons on DVD in early summer. I also FINALLY watched My So-called Life. The Borgias was fun, and I also enjoyed Unit One (Rejseholdet) from Denmark.
Finally, seeing the miniseries When We Rise in the cinema, with the cast, creative team, and real-life activists, was one of my best experiences of 2017.
The DVD movie that had the deepest impression on me this year was The Impossible (2012). I avoided it because I don’t usually like natural disaster films, but Tom Holland was amazing. Older films I enjoyed included As It Is In Heaven (Så som i himmelen) and Saint Ralph (both from 2004). Bob Roberts (1992) is a must-see for predicting many of Trump’s campaign tactics. I ugly-cried through most of The Shack. Megan Leavey and Tanna were happy surprises. The Bronze (2016) had my favorite sex scene, and Tiffany Haddish owned Girls Trip.
I’ve enjoyed the crosswalk musicals from James Corden, especially Beauty and The Beast and Hair. Broadway bootlegs have become a guilty pleasure, particularly anything with Ben Platt. Little Alfie was adorable in his brother Oliver’s coming out video.
As for my own YouTube videos, the Ed Sheeran one has gone over 1 million views. I wish I’d given it a cleaner ending, but I’m still learning to use Shotcut.
My most popular tweets of 2017 were a #DuvetKnowItsChristmas photo and my Academy Award tweet about the White Helmets.
Swear Trek has given me the most belly laughs this year.
Twitter has made me angry, made me cry, made me think. I used to ‘like’ tweets to save the best ones. These days I ‘like’ tweets to show support for political opinions and causes, which means I don’t have time to go back over the whole year to find the gems. Here are some standouts from the end of the year:
I went to the theatre only twice this year, to see Homefront and The Prince of Egypt. I followed Dear Evan Hansen, Ben Platt, and Matthew James Thomas from afar, and I also started reading daily newsletters from Playbill. I may not see many shows, but at least I’m better informed.
I started listening to Ed Sheeran this year, and I also added a lot of Broadway cast albums—Kinky Boots, Matilda, Anastasia, The Band’s Visit, Bandstand, etc—to my playlist. I also listened to lots of Matthew James Thomas tracks from Britannia High and Pippin.
I’ve spent a lot of 2017 reading email news briefs from the Washington Post, the New York Times, the LA Times, and The Guardian. I’m better informed than ever before. I’m also more bitter and angry. Hopefully. 2018 will bring more activism and better ways of coping.
Entertainer of the Year
This year I was more successful than usual at keeping my interests broad and wide-ranging. I didn’t obsess too much over any one actor or entertainer. That makes it harder to choose just one Entertainer of the Year. Some of the honorable mentions: the cast of Game of Thrones, Francois Arnaud, Matthew James Thomas, Ben Platt, Jack Lowden, Sebastian Stan, Aneurin Barnard, Tom Holland, Wilson Cruz, Timothée Chalamet, Swear Trek, and Ed Sheeran. For sheer number of hours spent reading (over 6000 pages), I’m going to have to choose Dorothy Dunnett as my 2017 Entertainer of the Year. (Finally, a woman!)
As a fan of Matthew James Thomas, I’ve been following his Broadway play Time and The Conways. Following how? Through google alerts, rehearsal photos, press photos, reviews, Broadway sites, YouTube videos, and tweets from cast and audience members. Since I’m in San Francisco, I won’t get to see the play.
Matthew James Thomas did an “Ask Me Anything” interview for BroadwayRadio last week. The first two questions interviewer Kaitlin Milligan asked him were ones that I submitted. Milligan guessed that I’m a he— that’s okay, though! My second question about going back in time and changing things wasn’t specifically about Pippin, but I’m always happy to hear more about that production. I agree with Milligan (at the 25 minute mark) that the internet allows fans like me to connect with Matthew James Thomas from afar. Thank you, Kaitlin Milligan, BroadwayRadio, and Mr. Thomas!
Photo credits: Rehearsal photos by Jenny Anderson. Production photos by Jeremy Daniel.
More interesting questions and answers: https://www.broadwaybox.com/daily-scoop/five-burning-questions-with-matthew-james-thomas/
For other posts here about Matthew James Thomas, click on his name in the tags below. (I’m quite proud of my screen capture collection!)
Last year while searching the DVD shelf at my library, I came across the Montalbano series from Sicily. I checked out the first set of discs more out of curiosity than enthusiasm. The opening scenes were just okay, but about 20 minutes in, I knew I was hooked. Here’s a guy (played by the brilliant Luca Zingaretti) who looks tough, but really he’s a big softie. I’ve now watched all 30 TV movies, plus all the spinoff Young Montalbano episodes as well.
The two Montalbano series are distributed by MHz, and two months ago I subscribed to their streaming service. The first month is free, and there is usually a coupon for half off the second month. I’ve been enjoying the shows from all over Europe. I’m especially drawn to the Scandinavian ones. The subtitles are excellent, although I wouldn’t mind them being lower down on the screen.
I really enjoyed the Danish series Unit One with Mads Mikkelsen. Filmed from 2000 to 2004, this show has aged very well. Only the phones look dated. A police procedural about a homicide unit that travels to different parts of Denmark to help on cases, it’s refreshing how most of the crimes and violence happen off-screen. The later episodes are a bit more graphic. Unit One strikes a good balance between investigations and the personal lives of the detectives.
I wish there was more of Anno 1790, a Swedish series about a military surgeon who uses his medical skills to solve criminal cases in Stockholm. With dangerous Enlightenment ideas of liberty and equality threatening the social order, and an attraction to the young wife of the police chief, surgeon Dåådh has a lot on his plate. With only 10 episodes, this one doesn’t require a big commitment.
Borgen isn’t showing right now on the streaming service, but it’s mentioned in the description for 1864. I found Borgen at my library, and it’s also distributed by MHz. I’m halfway through the first season of three. Featuring Pilou Asbæk (Euron Greyjoy in Game of Thrones), it’s about a woman who becomes the first female prime minister of Denmark. The charismatic Asbæk plays her PR specialist/spin doctor. It’s a fascinating look at modern politics and the media. It helps to be familiar with a parliamentary government, which is different enough from the American model to require some google searches.
Other series I’ve been enjoying are Annika Bengtzon: Crime Reporter, the Arne Dahl mysteries, Crime Scene Cleaner, Cain, and Antigone 34. There’s a lot more to explore, and I just need to find the time!
I’m still a member of Robert Fuller’s official fan group, even though I’m busy with other interests these days. A recent contest to create a new banner for the Fandom Facebook page presented a fun challenge. I got to use some newly-learned Photoshop tools, and I teamed up with my friend Jan. She provided some photos and some lively debate. We submitted several banners, none of which were chosen. That’s okay, because I get to share the best one here. A big thank you to my friend Pam for allowing me to use her recent photo of Fuller.
The biggest challenge was finding the best color photos with the different heads at just the right angle, and I wasn’t completely successful. At least one important role is not represented—I didn’t realize before that Fuller never once takes his hat off in Return of the Magnificent Seven, and the brim is almost always cut off at the top. The ears in the center photos of the banner were also a problem, and the end result is not as satisfying as I’d hoped.
Today is Robert Fuller’s 84th birthday, and he’s still going strong! Wishing him a happy birthday, with many more to come.