Tag Archives: Neil Patrick Harris

Tony Awards 2012

There were two different Tony Awards tonight.  I want to see the OTHER one.  What I watched on CBS was not an awards program.  It was a three hour trailer for Broadway musicals, with a few breaks for some hurried awards.  Just the ones people care about, though.  No time to actually show the boring stuff, like choreography and book and anything with the word “design.”   Oh, and make sure those presenters say the names and read the winners without taking a breath.  Don’t let the winners talk long enough to bore anyone, even though it’s the biggest night of their lives.  And go overtime anyway.  Make sure this show is interesting to the people who don’t actually watch awards shows…but, wait.  Hey, that’s a novel concept.  Let’s put on a show for the folks who aren’t watching!

I complained just as much last year, so feeling like a broken record here.  What’s different this time?  My patience.  If the folks behind the broadcast aren’t going to show viewers the parts we want see, we won’t bother paying much attention.  Now, this is not to say that there weren’t some good moments.  Neil Patrick Harris is always on (“50 Shades of Gay”) and his mash-up of award-winning songs was delightful.  He made fun of going overtime, which he can get away with.  Not everyone can.  Other delightful moments: Harvey Fierstein in swim trunks and an inflatable pool ring.  James Corden flustered and awed when accepting the acting award for One Man, Two Guvnors.  Hugh Jackman graciously receiving a special award, presented by his wife.  Nina Arianda’s genuine glee for winning the acting award for Venus in Fur.  Matt Stone and Trey Parker just being their awesome selves.  Steve Kazee (best actor for Once) honoring his mother, who died of cancer on Easter.  And hey, they didn’t broadcast the In Memoriam.  Tragic.

All those musical numbers.  I’m on overload.  Since I can’t sing or dance, I don’t feel qualified to judge, but I will say this.  I saw Evita in London in 1980 with Mark Ryan as Che, and I listened often to the original cast album with Mandy Patinkin.  I know that Che is supposed to feel contempt for Eva Peron, along with begrudging admiration.  I have no idea what Ricky Martin’s Che was feeling.  Right after his performance, Mandy Patinkin and Patti Lupone came out to present.  It was cruel.

Congratulations to all the Tony winners.  I’m sorry I didn’t get to see most of you receive your awards.

Each year, I hope that next year they will get it right.  Another year like this one, and I’ll stop waiting and stop watching.  Sorry, NPH.

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Tony Awards 2011

First of all, I must point out that I’m reviewing the Tony Awards broadcast without having seen any of the plays or musicals that were nominated.   I also have a special interest in The Book of Mormon, because co-director and choreographer Casey Nicholaw was in my theatre group as a teenager.   Living in San Francisco means the broadcast I saw was the taped version.  These are my own impressions, because I haven’t yet read any of the other reviews.

If this year’s Tony Awards broadcast was trying to be a three hour long advertisement for Broadway musicals, it may have succeeded.  If it was supposed to honor the talented folks working both onstage and behind the scenes, it was a disappointing failure.  Most of the broadcast was devoted to showcasing song and dance numbers from not just the nominated new musicals and revivals, but also from Spiderman (long delayed but now supposedly opening this month), Memphis (last year’s winner), Company (don’t know why), and Priscilla, Queen of the Desert (seriously don’t know why).   All the technical awards, the two Lifetime Achievement Awards, the award for humanitarian efforts, the Regional Theatre Award, and the Special Award (for the horse puppets in War Horse) were given offscreen.  Little snippets were shown from acceptance speeches when they returned from ad breaks.  This just left the acting, directing, and best play/musical/revival awards.  It was really strange that the best musical score was given offscreen, but the best musical book was given onscreen.   There was no logic to it.  I was especially disappointed that the best choreography award was presented offscreen, even though Casey Nicholaw didn’t win for The Book of Mormon.  It was also puzzling when they presented the awards for best play and best revival of a play before they presented the best actor awards.

Host Neil Patrick Harris was awesome as usual, although I do wonder about  middle America’s reaction to lyrics like “No sodomy required” in the opening number.   Later, Harris had some fun with former host Hugh Jackman, who was heavily featured in audience reaction shots.  My favorite Harris moment was when he rode out on a War Horse puppet.   His end-of-the-show rap was great, but the last half hour of the show was rushed because of too many musical numbers and superfluous “broadway moments.”

The Book of Mormon and War Horse posters

I’m not going to list all the award winners.  It’s enough to say that The Book of Mormon (best musical), War Horse (best play), The Normal Heart (best revival of a play), and Anything Goes (best revival of a musical) were the big winners of the night.   I was thrilled when Casey Nicholaw won his first Tony Award for co-directing Mormon with Trey Parker.  He was so happy, and he thanked ‘everyone he’s ever known’ so I couldn’t help feeling included.  That’s definitely a Tony first for me!   I was also pleased that Sutton Foster won for Anything Goes, because I love her.  I’ve only seen her perform at various Tony Awards, but that’s all it takes for her to win your heart.   It was strange watching John Larroquette win for How to Succeed in Business, because just an hour before the broadcast began, I was watching him on Retro TV in Black Sheep Squadron (circa 1977).

I loved seeing Robert Morse (the original 1961 Finch) and Matthew Broderick (Finch in the 1995 revival)  introduce the nominated musical revival How to Succeed in Business Without Really Trying.  Morse is looking great at 80!  Both these actors won Tonys for playing Finch, but Daniel Radcliffe wasn’t even nominated.  Radcliffe really is shockingly short, especially standing next to Larroquette, but compared to the rest of the cast as well.   I have to give a shout out to Ellen Harvey, who was easy to spot because she was the only female in the number they performed.  Harvey was another member of San Diego Junior Theatre. and we worked together on A Midsummer Night’s Dream.

John Larroquette, Daniel Radcliffe, Ellen Harvey and the How To Succeed cast

John Larroquette, Daniel Radcliffe, Ellen Harvey and the How To Succeed cast

Whoopi Goldberg and Frances McDormand wore the strangest outfits of the evening.  Goldberg had a hat that distracted me from her introduction of Sister Act, and McDormand (best actress for Good People) wore a denim jacket over her formal length dress.  McDormand looked angry leaving the stage, and I wonder if it’s because everyone was under orders to shorten their acceptance speeches.  Mark Rylance (best actor for Jerusalem) gave the quirkiest speech, describing the best kind of walls and fences you can walk through.  (I learned later that he was quoting poet Louis Jenkins.)  He didn’t thank anyone, but by that point, it was kind of refreshing.   Brooke Shields was having a rough night; first she forgot her lyrics in the opening number, and then the first part of her presentation speech was bleeped out for language.  (Sorry, I couldn’t lip read what she said, but I’m sure I’ll read it online later.)  Bono and The Edge were surprisingly funny introducing a ballad from Spiderman, and the most awkward introduction was given by Christie Brinkley.

The In Memoriam tributes made me cry like they always do.  This year we lost Elizabeth Taylor, of course, but there were so many other great people.  I was surprised when one of the faces was so young, so I had to look her up.  Eleven year old Shannon Tavarez from The Lion King died on November 1, 2010, of acute myeloid leukemia.

Overall, I am happy for the Tony Award winners and disappointed in the broadcast.  Last year, I complained that there were too many Hollywood actors and not enough Broadway actors among the presenters, the audience, and the award winners.  I enjoy seeing performers at the Tonys that I’ve never heard of before, because it’s my one chance during the year to discover them and learn about their work.  This year, I tried my best not to categorize the actors as stage or film types, especially since I loved seeing Jim Parsons (The Big Bang Theory).   He’s just joined the cast of The Normal Heart.  

Update:  I understand that the Tonys were held at the Beacon Theatre this year, which has half the number of seats as the usual venue.  This meant that many folks couldn’t attend, and lots of people associated with nominated shows were seated in the upper levels.  Now it makes a little more sense why so many awards weren’t shown, since the logistics of finding the nominees in the audience with cameras and getting them onstage quickly to accept their awards must have been a real issue.  I feel sorry for all the folks who couldn’t attend, and for the friends and families of nominees watching at home who weren’t shown their loved ones being honored.  I hope that next year, things will be different.  (Didn’t I say that last year?)

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Dream On

I just finished reading Bloodroot by Amy Greene.  It’s one of those books that is going to stick with me for a long time.  Some of the passages are so beautiful I had to stop to re-read them, and I’m not usually that kind of reader.  I put Bloodroot on my reading list because  reviewer Karen Valby at Entertainment Weekly gave it an A, saying ” Greene, who grew up in the Smoky Mountains, captures what poverty looks and feels and sounds like.”  The reviewer failed to mention how Greene describes the smells of poverty.   This book is positively pungent.  We’re told one house reeks of dead rats and sulphur, and quite a few of the characters themselves are pretty rank.  I was actually grateful that I only had to read about the smells rather than experience them myself.  I guess your ability to imagine strong odors will affect your experience of the writing. 

Bloodroot follows several generations of a poor family living in the mountains of eastern Tennessee.  The Lambs seem cursed to repeat lives of intense sorrow and devastating loss, but each new generation grabs at life, loving deeply if not wisely.   I’m not sure if the average twenty-something reader will be able to appreciate Bloodroot.  I know I wouldn’t have understood it when I was younger.  I remember how I looked at my parents and wondered how they could have settled for such small, imperfect lives.  When you’re young, everything seems possible.  And you have all that energy.   These days just getting out of bed seems like a minor victory.  Bloodroot is a book by an author that understands how that feels.  This is Amy Greene’s first novel, and she looks very young in her photo.  I wonder how she got so wise. 

I have one complaint.  The cover of Bloodroot bugs me.  It depicts a girl stretched out on the ground in a lovely green and gold clearing, but her back is arched like she’s lying on a bump.  Maybe that’s symbolic or something, but it just looks uncomfortable.  My back hurts just looking at it. 

Bloodroot by Amy Greene

Last night’s Glee was also about life’s realities and lost dreams.  I watched it because a) I really like Neil Patrick Harris and b) I wanted to check out Jonathan Groff after all the Newsweek controversy over his ability to play a straight character.   Harris was great, and Groff was fine.  I didn’t see anything in Groff’s performance that rang false.  The bonus for me was the Les Miserables song and audition, since Les Mis is my favorite musical.  Oh, and I can’t believe how much Idina Menzel looks like Lea Michele.  At first I thought Michele was playing her own mom in age makeup.  Now, to those who’ve seen Glee more than twice this season, this resemblance is no surprise.  Me, I like a little surprise now and then.

I have to point out that Neil Patrick Harris playing Jean Valjean is completely ridiculous.  Maybe it’s meant to be funny.  Valjean is a man with incredible physical strength, able to lift a loaded cart off a man trapped underneath, able to carry Marius through the sewers.  If Glee wants to bring Harris back, I suggest they show Bryan Ryan on opening night of Les Miserables attempting to carry Marius and getting a hernia.

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